PHOEBE BOSWELL: HERE

Coming Soon

The opening of Here by Phoebe Boswell has been postponed because of the current Covid-19 situation. We are reviewing our opening date weekly and hope to open on the 16 January if restritctions allow. Please follow our social media channels for latest updates.

NAE is proud to present Here, an exhibition by the award-winning artist, Phoebe Boswell. The exhibition brings together new and existing artworks, some of which have not been seen in the UK before. It includes the critically acclaimed installation, Mutumia (2016); I am (2020), a gallery version of P L A T F O R M (2020), a moving image installation of filmed portraits currently showing on 30m wide screens at the Lancy-Bachet train station in Geneva; the sculptural drawing, Transit Terminal (2014-2020), the large-scale video installation, I Dream of a Home I Cannot Know (2019) and site-specific hand drawings by the artist.

Boswell's work explores what it means to belong and to be free. Owing to a personal history rooted in colonial traces and contradictory legacies - upheavals, dualities, geographies, kinships, liberations, silences, and shifts of migration - Phoebe describes her work as a navigation of the space between, anchored to what she refers to as a "restless state of diasporic consciousness."

Combining draftswomanship and digital technology, she creates immersive installations and bodies of work which layer drawing, animation, sound, video, and interactivity in an effort to find language and make space robust yet open and multifaceted enough to house, centre, and celebrate the nuance and complexity of communities, voices, hearts, and histories which, like her own, are often systemically marginalised, simplified, pacified, homogenised, or sidelined as 'other'.

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Phoebe Boswell, PLATFORM, 2020. Image courtesy of the artist.

The immersive installation Mutumia (2016), combines hand-drawn animation, digital technology, interactivity and voice recordings of women from different backgrounds, nationalities and generations. It is dedicated to women who have used their bodies in protest when not allowed to use their voices. This is the first time it has been seen in the UK. Phoebe Boswell was awarded the prestigious Future Generation Prize's Special Prize for this artwork in 2017.

Transit Terminal (2014 – 2020) is a sculptural drawing of twelve charcoal figures, each occupying a purpose-built box which is at once totemic as well as being the same dimensions of an average adult coffin turned upright. The installation addresses global migration and notions of (un-)freedom and uprootedness. The figures, on the backs of the boxes, with their backs to us, seemingly in limbo between here and an unknown destination, are juxtaposed with an internal flock of chalky migratory birds in flight drawn into the interior of each box. The artist will extend this bird migration onto the architectural surface wall of NAE in the lead up to the show.

Adapted to nestle into NAE's interior, I Dream of a Home I Cannot Know (2019) is a largescale video work. Captured from the same place on the same beach over the course of six years, it documents the quotidian life on a stretch of East African beach - a place of deep emotional connection for Boswell; the closest place the artist could consider to be 'home', but a place that, like the tide, is impossible for her to hold.

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Phoebe Boswell, I Dream of a Home I Cannot Know, 2018 (still from 2 channel film). Image courtesy of the artist.

Phoebe Boswell, Transit Terminal 2014 on view at Howick Place, London. Originally commissioned by HS Projects. Image by Sylvain Deleu. Image courtesy of the artist and HS Projects.

Boswell's first public outdoor artwork, P L A T F O R M (2020), was recently unveiled at Lancy-Bachet Railway Station in Geneva. I am (2020), a gallery version of this monumental work, will be shared at New Art Exchange. The stop- motion portrait project asked the global public to send in self-authored photographs and to complete the sentence "I am...". Boswell then endeavoured, through drawing, to see each person as they are, until they slowly began to blink, look around, and come to life. The original artwork was commissioned and produced by the Fonds cantonal d'art contemporain, Geneva, for the Mire Program.

Here has been curated by New Art Exchange in dialogue with Boswell's 2018 solo exhibition at Göteborgs Konsthall in Sweden.

Main image: Phoebe Boswell, Transit Terminal 2014. Images by Hendrik Zeitler. Image courtesy of the artist and Göteborgs Konsthall

COVID-19 Safety

We are introducing a range of measures to make your visit as safe as possible. When you visit you will need to:

- Wear a mask - unless exempt
- Provide your contact details for track and trace
- Keep your distance
- Sanitise your hands

      The dates of this exhibition are subject to change, we will closely monitor the COVID-19 situation and act accordingly.

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        Acknowledgements

        We would like to acknowledge the financial support new art exchange has received from our funders and partners.

        Supported by

        Logos for; Arts Council England, Nottingham City Council

        Capital funders

        Logos for; Nottingham City Council, East Midlands Development Agency, Neighbourhood Development Company, European Regional Development Fund, Greater Nottingham Partnership, Arts Council England